Video & Sound Production VSP 60104 | Exercises
22/04/2024 - 04/08/2024 / Week 1 - Week 15
Eng Yan Ling
Bachelor's Degree in Creative Media (Hons) - (Taylor's University)
Video & Sound Production VSP 60104 | Exercises
TABLE CONTENT
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1. Instructions
2. Lectures
3. Exercises
4. Reflection
5. Quick Links
INSTRUCTIONS
LECTURES
3 Act Structure
- narrative model dividing stories into 3 parts; keeps beginning separate from middle and middle to end
- unifying actions and meanings creating the semblance of a story
- plot points = effective, meaningful story; x predetermined of when/where to occur
- process - character arc → main plot → realization of the protagonist’s goal → action resolved → loose ends tied
Act 1 - setup / beginning
- introduction of world, character, character goal/conflict/obstacle
- exposition, inciting action, turning point into act 2
Act 2 - confrontation/build / middle
- raise stakes to achieving goal, escalating conflict; ups downs turnarounds
- rising action leading to midpoint, devolving into crisis
- rising action, midpoint, turning point into act 3
Act 3 - payoff / end
- resolve story - achievement/failure
- leading to climatic confrontation = pnr
- pre climax, climax, denouement
- hook - opening/first act that captivates audience; why care/watch?
- inciting event - gets plot moving; something subject may still be able to walk away from
- 1st plot point - break into act 2 - fully engage & reaction to plot point; pnr
- 1st pinch point - quarter way through act 2 and first of many problems encounter at the start - showing is at stakes/loose if they go through this direction; involving antagonist - setting up midpoint
- midpoint/2nd plot point - half-mark that redirects the plot; showing what subjects are actually up against
- 2nd pinch point - ++setting up act 3 = setback, e.g. how would protagonist overcome this? similarly to 1st pinch point - what they really stand to loose if they’re willing to risk it all?
- 3rd plot point - highest stake reintroducing final act primary antagonist; false victory -
- climax - moment story has been leading up to; reinforcing the core theme of film; fulfill character’s arc
- resolution - how journey has permanently affected characters
- visual representation of film sequence & breaking down actions into individual panels
- series of ordered drawings - camera direction, dialogue, etc; how it unfolds shot by shot
What?
- drawing, sketches, reference images, photo - represents each frame
- description of shot - relevant info; action, dialogue, composition
- shot specs - size, lens length, 2 shot, etc
- arrow - indicate camera/character movement or how each shot connects
- pre-production process; youre not completely tied to one format over another
- 2 basic
- traditional - pencil sketches + detailed info camera movement arrow, characters, prop, etc
- thumbnail - no writings; not detailed
Approach
- matches script but may be deeply tied to actual storytelling process
- animation storyboards animatics - fundamental steps
- crafting specific & movement and stroy beats & character behaviour simultaneouasly
- storyboard should not be overstated
Creating a Film Storyboard - 6 steps
- visually organizes composition, action, look of film before filming
- break up script/narrative
- mark up key parts - highlight major beats - action, location, wardrobe, staging, narrative arches, major plot points
- numbers & relevant title - linking in broader frames
- idea landscaping - visualizing; brainstorming visual features
- collect reference, photo, illustrations, screenshot, location shoot, motion
- communicate the static frame - how itll look, feel
- describe style, mood, behavior
- composition & framing - how character & objects are framed within a shot; use rule of thirds, etc compositional techniques = visually appealing & balanced
- transitions - plan shots transitions; smooth = cohesive flow/ abrupt changes = dramatic effect
- character blocking - set character position, movement & interaction with each other and environment
- emotions & expression - define facial expressions & body language; capture emotions & reactions
- annotations - additional notes/captions pf things that cant be conveyed easily
- dynamic action - action scenes; break down fast-paced movements into sequence of panels = ensure clarity
- how they interpret the story? readjust order/edit content base on feedback
Production stages
The production stages in filmmaking can be broken down into three main phases: pre-production, production, and post-production. Here's a brief overview of each stage:
1.Pre-production: This is the planning stage of filmmaking, where all the necessary preparations are made before filming begins. This includes tasks such as writing the script, creating storyboards, casting actors, scouting locations, designing sets and costumes, and hiring crew members.
2.Production: This is the stage where the actual filming takes place. The production team will work together to capture all the footage needed for the film, using the plans and preparations made during pre-production as a guide. This stage can be physically and logistically challenging, as it involves coordinating a large team of people and managing a complex schedule.
3.Post-production: This is the stage where the footage is edited and assembled into a final product. This includes tasks such as cutting and arranging scenes, adding music and sound effects, color grading, and visual effects. Post-production can be a time-consuming process, as it requires careful attention to detail and a keen eye for storytelling.
After post-production, the film may go through additional stages such as distribution and marketing, but these are not considered part of the production process.
Definition - process of inception, creation, release of a film
5 stages
1. Development- idea from producer/screenwrite = movie
- overseen by producers - creatives, finance, schedule, etc
2 phases
- packages - sell-ability
- curating packages - screenplay + script (dialogue, costume → budget, schedule)
- financing
- producer - development stage
- pre-sales, slate financing (investors), loans, networking, crowdfunding, pocket, etc
- preparation before filming
3 majors
- budgeting
- general cost outline; detailed shooting schedule that foresees location, cast, film crew, equipment cost, etc / rental, props, costume, deco
- forming a team
- director, producer, cinematographer, produciton designer, costume designer
- casting director - script → consult director → audition
- pre-visualizing
- logi, director, dp
- storyboard/shotlist - set outcome? costume looks?; consult with respective directors
- location scout + tech scout - chooses location; space? power sources? sound issues? sun rise/set position?
- call sheet
- showing up where when who; states call time (crew → cast)
- set up
- lighting - grip & electric dept
- camera - camera dept
- makeup/costume prep
- dry run through blocking + sound & camera rehearse - expectation, potential issues
- shooting
- AD
- announce “picture is up”
- calls for quiet, says “roll sound” - records by sound mixers → responds “sound speeds”
- “roll camera” - camera operator, respond “speed”
- clapper loader/2nd assistant camera - slate, read scene inof off clapperboard & marking
- D
- start - action
- end - cut
- AD
- film editing
- picture editing
- create cohenrent film; work with sound
- assembly (D & E review footage, select takes, order takes) → rough cut (priority = rhythm) → fine cut (approaching pic lock)
- sound editing
- sound mixing - all levels correct for exhibition
- editing - sound effects, dialogue, voice-over
- composer - writing & recording score
- additional visuals
- vfx, cgi
- colorist - coloring
- title & credits - typo choices, motion designers, etc
- marketing - trailer, poster, electronic press kit
- securing distribution
- Figure 1.2 Week 4 Quiz (Week 4, 13/05/2024)
Production Crew
The production crew is a team of professionals who work together to create a film or video. Each member of the crew has a specific role and set of responsibilities, which are essential to the overall success of the production. Here are some of the key production crew members and their tasks:
1.Director: The director is responsible for overseeing the entire production and ensuring that the creative vision for the project is realized. They work closely with the cast and crew to block out scenes, direct the actors' performances, and make creative decisions about the look and feel of the film.
2.Producer: The producer is responsible for the logistical and financial aspects of the production. They secure funding, hire the crew, coordinate the schedule and locations, and ensure that the project is completed on time and within budget.
3.Cinematographer: The cinematographer, also known as the director of photography (DP), is responsible for the visual aesthetic of the film. They work closely with the director to choose the right camera, lenses, and lighting to achieve the desired look and mood for each scene.
4.Production Designer: The production designer is responsible for the overall visual design of the film, including the sets, costumes, and props. They work closely with the director and cinematographer to create a cohesive and immersive visual world for the story.
5.Sound Designer: The sound designer is responsible for the audio aspects of the film, including recording and editing dialogue, sound effects, and music. They work closely with the director and editor to ensure that the sound and picture are seamlessly integrated.
6.Editor: The editor is responsible for assembling the footage into a coherent and compelling story. They work closely with the director and sound designer to shape the pacing, tone, and structure of the film.
There are many other roles on a production crew, including grips, gaffers, makeup artists, and stunt coordinators, but these are some of the key positions and tasks involved in the filmmaking process.
- leader - managing production start-end
- develop initial idea, finalize script, finance, production team management
- coordinate filmmaking process - schedule & budget
- oversee the shooting and assembling of film
- crafts dialogue, shape sequence of events = smooth transitions unfolding a logical story
- translate scripts into visual form; create storyboards = visual continuity
- film settings - buildings, landscapes, interior
- acquire props, deco set
- convey time period and characters; status, occupation, attitude = character visuals
- photo director; DP
- lighting & camera technical capabilities
- organize footage, arranged in continuous sequence
- which shot used, order, etc
- portray characters
- may intensify story
EXERCISES
2. What is the inciting incident in the movie?
3. What is the midpoint scene in the movie?
4. What is the Climax scene in the movie?
5. What is the theme of the movie?
The inciting event in the movie is when Evelyn begans to travel through the multiverse when it started at the tax office and experiences the different versions of herself in different occupations and positions. This was when Evelyn was at her lowest when her daughter commits suicide
- establish picture profile
- color correct footage
- color grade footage
- correction - fix color issues = naturalistic; clean & real = human eyes
- grading - creative concern; adds atmosphere & emotion → unnatural methods
1. color hue
- hue = color, ex. red vs blue
- alter by saturation & brightness
- HSB - hue, saturation, brightness
- color scheme is important = creates mood
2. color saturation
- intensity of color; determine by grey in hue (pure grey → vivid colors)
3. color brightness
- level of light; ex. burgundy vs candy apple
- evokes different feeling through its brightness/darkness of color
4. coloring
- white balance
- scopes (waveform, parade, histogram, vectroscope) - shows color & light info = balance of characteristic & comparison
- curves - precise color correction & grading
- color match - reference & target image
- three-way corrector - balance shadows, midtones, highlights; set based on hue
- color qualifiers - change colors/color range without changing rest of image
- color mask - designate a shape to isolate its color
- RAW - +ve more control over image characteristics; -ve >storage
- picture profile - set of parameters that determines characteristics of footage
- purpose
- establish baked-in parameters for footage
- more obedient image
- maintain consistency across footage
2. color correcting
- adjusting black and white levels, exposure, contrast, white balance = accurate, unprocessed-seeming image
- ensure subsequent color adjustments have precision & no yield on unintended results
- purpose
- establish true levels & colors
- accurate & effective adjustments
- visual consistency
- apply LUT (look up table) input
- choose “home base” clip - look for a clip that has average exposure & level in comparison
- adjust white & black
- adjust overall gamma - highlights, shadows, midtones
- basic secondary correction - isolate specifics to correct
- advanced secondary correction
3. color grading
- stylize color scheme of footage - evoke specific emotions - transform final look of footage
REFLECTION
QUICK LINKS
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